
In 2022, much of the world reopened, and I could finally continue some of my long-term projects that had been interrupted by the Covid crisis. These images are a collection of contrasting moments found on the way: a Cuban actress shines in the Havana night; a woman about to turn 100 recalls the Soviet famine that took her father; a young girl crowned with dandelions embodies the spirit of youth. 2022 was a cruel year in many ways, but the possibility of encountering people again and listening to their stories was genuine solace.
Raised in a secretive Parisian family, Marylise Vigneau developed an early taste for investigation and justice.
What captivates her is how human beings are affected by borders, both physical and mental, this fugitive space where an unexpected, bold and fragile act or a glimpse of freedom may arise.
She works on long-term projects to explore memory and place. She likes to photograph moments of tenderness in places saturated with history and socio-political tensions.
She is represented by the Anzenberger Agency






