We read you were the tour photographer for New Jersey indie punk band Vasudeva, what were the three key lessons you learned during this gig?
They were more instrumental math-rock, but yeah I learned a lot from that time touring with them. I developed an eye to be quick and to always be scanning. Since we were always on the move every night to a different city, it was difficult to take your time to look around. So being on the move really required me to be quick in decisions and develop a more intuitive sense of what to photograph.
You’ve coined the term Minimal Comic-Play to describe the type of photography NOICE Magazine promotes, that it’s all about introducing a new sense of beauty by invoking an alternative perception of the world. Can you expand on this a little? Particularly ‘a new sense of beauty’?
Minimal Comic-Play is something I coined that just describes the photography that we publish at NOICE. It’s pretty implicit in the name, but all of the content at NOICE, and what I shoot in particular, is all minimalistic in approach. There needs to be a particular sense of humour to it all. The way colours interact with one another, or the way a subject is juxtaposed against the background of something. It’s all play. You have to not take yourself too seriously and laugh more. The phrase ‘A new sense of beauty’ is pertaining to just that. I think William Eggleston was the first to really take note of this sense, especially with colour film.