Last week the World Photography Organisation team had a chance to spend a few days at Les Rencontres D’Arles, a festival of photography that’s been held in the city of Arles in the south of France since 1970.
It’s one of the biggest photography festivals in the world, taking over museums, churches, heritage sites, homes and other beautiful spaces in this sun-soaked city, from early in the morning to late at night.
The diversity of venues in which exhibitions and other events are held is a welcome challenge to curators, which is reflected in the myriad of creative ways images are displayed, hung and projected. It’s a perfect opportunity to discover established and emerging lens-based artists from around the world, providing visitors a chance to immerse themselves in all things photography.
For a city that has inspired the likes of Vincent Van Gogh and Henri Cartier-Bresson, it’s no wonder photographers, artists, curators and culture enthusiasts flock to it every year to network, discover incredible art and to find inspiration for their next project.
While we strolled from one exhibition to another, we couldn’t help but notice some familiar names. Discover below our Les Rencontres D’Arles highlights featuring past winners of the Sony World Photography Awards.
Cristina de Middel
In 2012, Cristina de Middel won 2nd Place in the Conceptual category in the Sony World Photography Awards Professional competition for her series ‘The Afronauts’ which tells the story of Zambia’s involvement in the 1960s space race. Her award-winning project had gone on to feature in the 2013 edition of Arles.
In the 2024 edition of Arles, visitors can explore Cristina de Middel’s new series ‘Journey to the Center.’ An image from this project was also chosen as the leading image on Les Rencontres D’Arles’ marketing material.
JOURNEY TO THE CENTER
ÉGLISE DES FRÈRES PRÊCHEURS
1 JULY - 25 AUGUST 2024
Journey to the Center is a series that borrows the atmosphere and structure of the Jules Verne book Journey to the Center of the Earth to present the Central America migration route across Mexico as a heroic and daring journey rather than a runaway.
In this version of the journey, the starting point is Tapachula, the Southern border of Mexico with Guatemala, and the journey ends in Felicity, a small town in California that is officially the “Center of the World”. The absurdity of this landmark, from where you can see the border fence, just adds a layer of dystopic disappointment and becomes the perfect colophon for a contemporary version of a heroic jest, where the final destination is little less than a roadside touristic attraction.
With a language that combines straight documentary photography with constructed images and archival material, the narrative becomes multi-layered to complete the simplistic approach that media and official reports provide to the complex phenomenon that migration is.
Cristina de Middel